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how to download free youtube channel backgrounds. Nov 9, 2009 4:05 AM



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View some old people with tattoos… granny-tattoo



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People 56 stars tattooed on her face. Eighteen-year-old Kimberley Vlaminck



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Old peoples with tattoos



World's Most Tattooed Senior Woman in the Guinness Book



Tattoo – Art Or Not?



Click here to see two more ill-conceived brand name tattoos.



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This weekend the Old School Tattoo Expo ("Best Expo" in '07) again went down



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Since I was young, I have been fascinated by people who were tattooed.



Why old people shouldn't have tattoos… God bless their souls.



Lil Wayne Face Tattoos His 4 tear drops which are for the people who have



This is the horrific damage done to a ten-year-old's arm after a holiday



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The location of the tattoo is what most people care about,



The tattoo is part of her post break-up makeover, reported people.com.



I am old fashioned and only have my ears peirced. I think that tattoo your

Elton John AIDS Foundation Oscar Party - Part 1

Sparkles and famewhores!

Click here for full post.

Director Gary Winick dies, aged 49

Filmmaker Gary Winick has died at the age of 49.
According to The Hollywood Reporter, the Bride Wars and Letters To Juliet director passed away after suffering from brain cancer.

"He was suffering from brain cancer for quite some time, and it ultimately metastasised throughout his body," explained his manager Rosalie Swedlin.

Swedlin, who said that a memorial service for Winick was being planned, added: "What's remarkable is that after his first surgery, he was able to direct Letters To Juliet. It was a battle that we thought he had won, and ultimately they just didn't get it all."

Winick produced 19 independent films after founding production company InDigEnt in 1999.
His other films as a director include 13 Going on 30, Tadpole and Sweet Nothing.

How The King's Speech got an outside edge at the Oscars

The success of independent cinema at the Oscars is nothing new, but it's always a welcome sight. Sunday night's marginal triumph by The King's Speech over the studio's biggest heavy hitter, The Social Network, will have spread good cheer among the movie's many backers outside the studio system. The King's Speech is one of the moribund UK Film Council's last hurrahs, although there are quite a few forthcoming releases that will bear the stamp of the ill-fated funding body, such as Lynne Ramsay's We Need to Talk About Kevin, Terence Davies's The Deep Blue Sea and Andrea Arnold's Wuthering Heights.

The UK Film Council was one of several key elements on the project, along with UK financiers Prescience and Aegis, UK distributor Momentum Pictures and Australian distributor Transmission, whose sister company See-Saw, run by Iain Canning and Emile Sherman, came on board to produce with Gareth Unwin's Bedlam Productions, which had been a longtime champion of the project. That's quite a list and I'm not even sure it's comprehensive, but it illustrates a truism in independent film financing: the tougher the sell, the greater the number of investors. No studio would have gone near this because the project lacked brand recognition, wasn't part of a franchise and didn't offer clear merchandising opportunities.

And then, of course, there is Harvey Weinstein, the Oscar impresario extraordinaire whose apparently resurgent company did such a bang-up job distributing The King's Speech in the US. The film launched modestly in a handful of theatres last December and climbed from 43 to 700 theatres over the Christmas weekend, rising steadily after that. Heading into the final weekend before the Oscar nominations on 25 January, the movie played in 1,680 theatres, and by the time it emerged as the frontrunner on 12 nominations it was in 2,557.

It went on to gross more than half of its current $114m (£70m) running total in the so-called Oscar corridor between the day of nominations and the show itself. That's the Oscar bump in action and you see it with another success story, Black Swan, which amassed roughly one-fifth of its $103m running total in the same period. Both will continue to prosper now that they have gongs to their name. The King's Speech will go out as a PG-13, too, after Weinstein cut a few expletives from the original R-rated version. Colin Firth disapproves and thinks the movie should be seen "as is", and I wholeheartedly agree. Alas the gatekeepers in the US believe audiences must be protected from the brutal spectrum of the English language, even though they are happy to expose under-13s to a disgraceful level of on-screen violence week-in, week-out.

For some years now a movie's prospects outside the US have played a key role in assembling the financing and distribution. Central to this is the international pre-sale, whereby a company licenses distribution rights to a forthcoming project in return for a portion of the budget. In this regard kudos is due to FilmNation, the New York-based company run by the vastly experienced former Weinstein lieutenant Glen Basner. FilmNation handled international sales on The King's Speech and ensured it ended up in safe hands outside the US. To date the movie has grossed more than $130m outside the US, bringing worldwide ticket sales to around $245m.

Black Swan had a pretty tortuous route to the big screen, too, but when Fox Searchlight came on board as financing partner it knew a good thing and held on to worldwide distribution rights. It's been Hollywood's leading title in the international market for the past few weeks and so far has racked up $123m overseas and $226m worldwide.

These are astonishing and rare numbers for specialty film, but what's so gratifying is that because both movies got made for a price and were expertly released in the US and overseas, they're profitable. The rumour doing the rounds at the recent Berlin film festival was that Weinstein is plotting a sequel to The King's Speech called The Windsors at War. Harvey and his cohorts are keeping mum about that right now as they focus on this year's movies, which include Michelle Williams as Marilyn Monroe in the Oscar hopeful My Week With Marilyn.

Credit : The Guardian UK

Natalie Portman Severs Ties with Galliano

Handled it exactly right.

Click here for full post.

Elton John AIDS Foundation Oscar Party - Part 1

Sparkles and famewhores!

Ashley Bell in Catherine Deane

So bland it's practically invisible.

Ashley Tisdale in Jenny Packham Spring 2011

Ditto.

Chaka Khan

Chaka Khan let us tell you what we wanna do; we'll take you in our arms and fill you with our charms later. FIRST thing we have to do is get you out of your bell-bottomed Elizabethan jumpsuit, girl, because it is doing you NO favors.

Cheryl Tiegs

Chery Tiegs apparently doesn't own a full-length mirror. That is SO not flattering her and the Bumpit isn't helping.

Dave Annable

Looks good.

Florence Welch in Valentino Spring 2011 Couture

She definitely likes to be covered up, doesn't she? We think this may be our favorite of her 3 looks of the night. Very pretty and romantic, but more modern-looking than the Ingalls nightgown she wore on the RC for the Oscars.

Hayden Panettiere in Luca Luca

Time traveling 40-year old Hayden Panettiere from the year 2029 has still got it, amirite?

Heidi Klum in Julien MacDonald Fall 2009

This is a "don't touch me, I'm fabulous" dress if ever there was one. Give her a friendly pat on the back and you'll be sitting in the emergency room with your thumb in a cup. WAY too much, Kluminator.

Holly Robinson Peete

Simple but pretty.

Jessalyn Gilsig in Romona Keveza Spring 2011

We're not even going to look up her age. If she's older than 21, she's too old for this dress. It's cute, but it should be on Dakota Fanning.

Katie Price

Sure, we can all laugh at these inflatable celebrity bodies now, but when penis enlargement is perfected, vapid male famewhores will be walking around with cocker-spaniel-sized bulges in their pants and this won't seem so funny, will it?

Kim Kardasahian in J. Mendel

Standard for her. It's a nice enough dress (although we almost never like the mermaid silhouette), but she's established herself as someone who can dress well; now it's time to show she can change up her look. We've seen her like this plenty of times.

Leah Remini

We realize it's not a formal event, but this seems a little half-hearted.

Malin Akerman in Roberto Cavalli

We like it. It's got a nice graphic quality to it while maintaining the glam factor. She's inconsistent on the RC, but this is one of her better looks.

Maria Conchita Alonso

If Sofia Vergara is, as we've maintained, Charo 2.0, then that must mean Maria Conchita here is Charo 1.5.

Michael Vartan

Cute.

Darius Danesh and Natasha Henstridge

His tux appears to fit him terribly and we're not in love with the current vogue for white ties. She looks like a cable access Creature Double Feature host.

Odette Yustman in Monique Lhuillier Spring 2011

Enh. S'alright.

Rufus Wainwright

Here at last is the long-awaited illustration to go with the Wikipedia entry entitled "Douche (Gay)."

[Photo Credit: wiremage]


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Labels: Fashion, Oscars, Red Carpet